

There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. size: 10 x 15 inFrame size: 21 x 26 in Aert Schouman was a prolific artist who.

There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. verso: Torenvalk, and stamp, verso: MADE IN HOLLANDProvenance: With. It is signed in plate in the lower right and titled in the plate in the lower left. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. This etching is presented in a white mat that is suitable for framing. The events are memorialized in the Bayeux tapestry, created by William's wife. 185 of these were published in his well-known, Varie Vedute di Roma Antica e Moderna (Various Views of Ancient and Modern Rome) and his later, Varie Vedute di Roma (Various Views of. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. During his brief but massively productive life Piranesi created over one thousand copper plate etchings of Rome and its environs, albeit not always as others saw it.

torn, lacking a little part of the engraved map and a few letters on verso. There are people on the beach and sailboats in the water. goldsmith who made some rich, intricate engravings in the fine manner. The etching depicts the beach at Beuzeval in Normandy with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart.
